Football Top 10’s- Premier League Debut Managerial Seasons

It can be hard treading new ground when writing football content. There are so many people who know so much about the beautiful game, that it can be difficult coming up with an original opinion, or a different angle to view a certain subject. So, with that goal in mind, I’ve decided to come up with a top ten series, highlighting some of the forgotten gems in recent football history. I highly doubt my opinions will be universally popular, but I hope to at least start some new discussions, in some lesser-explored areas of the footballing canon. To start with: Best Debut Managerial Seasons in the Premier League.

Now, it is crucial to establish the parameters of this. The first one is obvious, it must be a manager’s first season at the club, so promoted managers who are making the step up to the top division for the first time aren’t eligible (sorry to Nuno Espirito Santo and Chris Wilder among others). Second, it must be a first full season, so any mid-season changes also do not apply. That rules out the likes of Thomas Tuchel and Roberto Di Matteo and their sensational Champions League triumphs, and also ignores the work of the classic relegation escapologists like Sam Allardyce or Tony Pulis. And finally, I will be looking only at that first season as a standalone achievement, so any subsequent success doesn’t count towards the ranking. That means that Messrs Guardiola and Klopp, for once, will not be featured as both had transitionary first seasons to set up the excellence that followed later.

Once I had the ten names below in mind, my ordering of them was done by combining pretty standard metrics of success such as trophies won or number of points accumulated, with more subjective considerations like what they had inherited upon arriving. And kicking us off at number ten is the man who inspired this whole idea in the first place…

10. Erik Ten Hag- Manchester United 2022/23*

Okay, so it’s too early to call on this one. And if Erik Ten Hag was to go on and add both the Europa League and FA Cup to the Carabao Cup already under his belt, then he would be propelled up the list to fight it out with the real big-hitters. But, judging him only on his achievements so far, he has still done enough to warrant a spot. Not only has he already won silverware, but the job he has done in turning possibly the worst Manchester United side there has ever been into a cohesive and tough-to-beat outfit in around six months is a fantastic piece of coaching. He’s made tough calls and got them all right, from seeing off Ronaldo to dropping Maguire to benching Rashford for tardiness. It looks like United may have finally got the right man at the helm after the desperate period of the post-Ferguson years.

9. Slaven Bilic- West Ham United 2015/16

This debut managerial season had some extra emotional resonance as it was also West Ham’s final season at their beloved Boleyn Ground. Ex-player Slaven Bilic was handed the reins after the largely loveless relationship with Sam Allardyce was ended in the summer and he went on to deliver a seventh-placed finish and a record points tally (until David Moyes’s team broke it a couple of seasons ago) as well as implementing a much more appealing style of football, largely led by the mercurial brilliance of summer signing Dimitri Payet. Throw in impressive away victories at Arsenal, Liverpool and Manchester City and Bilic’s largely forgotten first season deserves a space on this list.

8. Roberto Martinez- Everton 2013/14

Ah, Roberto Martinez. What happened to you? Once one of the most exciting young managers in European Football has now become a derided figure who seems to have become permanently stuck in International Football, probably as he knows the big club jobs are no longer available to him. Back in 2013/14, Martinez had the difficult job of replacing David Moyes at Everton, after the Scotsman left for the hot-seat at Manchester United (spoiler; that hasn’t made this list…). It was seen as a bit of a risky appointment as Martinez had just been relegated with Wigan, though it was his incredible FA Cup victory with the Latics that had secured his reputation. What followed was Everton’s best ever points tally of 72 and a fifth-place finish, with Martinez expertly blending the steely solidity he had inherited from Moyes’s team and adding a more modern, possession-based flair. Unfortunately, this was as good as it would get for Martinez and Everton, as he then lost the fans through some misguided post-match interviews as Everton’s plummet down the table began.

7. Michael Laudrup- Swansea City 2012/13

Now this is the connoisseur’s choice of debut managerial seasons. How many people have not only  forgotten that Michael Laudrup managed Swansea but that he actually won a major trophy in his first season in charge? The Danish great succeeded Brendan Rodgers in South Wales when he left for Liverpool and he built on the strong identity Rodgers had cultivated, playing stylish and progressive football as he claimed a 9th place finish in the Premier League. However, it is the extraordinary victory in the League Cup final of 2013 that marks Laudrup’s debut season out, as it remains Swansea’s only major trophy in their 100-year history. Just like his star striker for the season, Michu, Laudrup has enjoyed little success since, meaning this remains a freakish managerial hidden gem.

Joint 5 and 6. Manuel Pellegrini- Manchester City 2013/14 & Carlo Ancelotti- Chelsea 2009/10

I don’t plan on making a habit of doing joint positions, but it is just so difficult to choose between these two managerial debut seasons. Both ended with them winning Premier League Titles and even more strangely, both finished on the same number of points with 86. On top of that, both Ancelotti and Pellegrini created teams that played thrilling attacking football, with Chelsea and City both passing 100 league goals in their respective seasons. And to further prove how close this was to call, both managers also added a further honour to their league title, with Pellegrini winning the League Cup and Ancelotti the FA Cup. With so little between the records of their sides, neither of these two grandmasters of football management deserves to be ranked below the other.

4. Rafa Benitez- Liverpool 2004/05

This was the hardest manager to rank on this list and I deliberated for a while over how to compare Rafa Benitez’s debut season at Liverpool with the other contenders near the top. On one hand, it was a pretty unremarkable league campaign, with Liverpool finishing 5th, below Merseyside rivals Everton. On the other, it ended in the defining game of noughties European football, as Liverpool’s thrilling comeback against AC Milan in Istanbul landed Benitez the Champions League. It comes down to that age-old debate of which is the bigger achievement, winning the League or the European Cup? For my money, Benitez’s Miracle in Istanbul gets him the nod over Ancelotti and Pellegrini, but is just too much of a ‘fluke’ to earn him any higher than fourth place overall.  

3. Antonio Conte- Chelsea 2016/17

There are a few reasons why Antonio Conte’s debut season at Stamford Bridge in 2016/17 gets him the bronze medal, ahead of a Champions League winner and other league champions as well, and it is all to do with context. While Ancelotti and Pellegrini inherited sides that had been competing for titles each year anyway, Conte took over at Chelsea’s lowest point during the Abramovich era, with Jose Mourinho’s second spell ending in disaster and the Blues sinking to a tenth place finish. Inspired by his change to a three-at-the-back formation, Conte led Chelsea to thirteen successive wins in the autumn and winter and ultimately a fifth Premier League title in May. He also managed a record number of Premier League wins… until Pep Guardiola’s centurions trumped it just twelve months later.

2. Jose Mourinho- Chelsea 2004/05

Jose Mourinho’s first spell at Chelsea is the benchmark for all managerial appointments, in terms of both cultural impact and success on the pitch. His first press conference, where he declared himself the “special one” and flashed that trademark arrogant and charming smirk, shook up the foundations of Premier League football and set new expectations for managers in terms of charisma and status. He then promptly won Chelsea their first championship in fifty years, added the league cup for good measure and was arguably only denied the Champions League by that famous Luis Garcia ‘ghost goal.’ On top of that, it was a record Premier League points tally (for the time) and a record fewest numbers of goals conceded, which still stands and is unlikely to ever be broken. Finally, whilst Ancelotti, Pellegrini and Conte all arguably won their titles in seasons when their main rivals were going through transitions, Mourinho’s team dethroned Arsenal’s Invincibles of 03/04. He would be a fitting and deserving winner of the best debut season for a manager… if it wasn’t for one man.

1. Claudio Ranieri- Leicester City 2015/16

Dilly ding dilly dong! When Claudio Ranieri was appointed Leicester manager in the summer of 2015, it was seen as a bit of a joke. Leicester were immediately tipped for relegation and Ranieri was written off as a bumbling dinosaur ill-suited to Leicester’s requirements. What followed was the greatest footballing story ever told. At 5000/1 odds, Leicester won their one and only Premier League title, with a team largely unchanged from the one that had barely escaped relegation the year before. He masterfully handled the pressure that came upon the Foxes as they became unlikely contenders, playing the media perfectly and tactically adapting to make the team more defensively solid after Christmas. It all ended unhappily the season after, but it remains the greatest managerial achievement of the Premier League era and therefore has to take the number one spot on this list as well.

World Cup Team of the Tournament and Awards

At time of writing, there is one game left at the 2022 World Cup. The final between France and Argentina is a fitting finale for what has been a fantastic tournament, filled with upsets, drama and plenty of magic moments.

This should not serve as some kind of vindication for staging it in Qatar, with everything from the host nation’s pitiful performances on the pitch to the lifeless atmospheres and half-empty stadiums showing what a poor choice they were (and that’s only from a sporting perspective) but there were clearly some benefits to staging it in the middle of the season, with star players still at the peak of their form.

This tournament has also shown us that the traditional footballing hierarchy is growing less and less prominent, with teams all over the world now able to compete on a tactical and physical level. There were more teams from Asia in the knockout stages than South America and the heroic Moroccans were the first ever African semi-finalist.

With so much to discuss, here are my picks for the best eleven of the tournament, with a few honourable mentions thrown in:

GK- Yassine Bounou (Morocco)

Spoiler, this is not the first Moroccan in this team. The North Africans have surely been the team of the tournament, topping a difficult group and then beating Spain and Portugal on their way to the last four. And that magic run has been built on the sturdiest of defences. Bounou has the joint-most clean sheets in the tournament and has made key saves in their games, whilst his heroics in the penalty shoot-out against Spain will go down in his country’s history.

Honourable Mentions: Dominik Livakovic (Croatia); Emiliano Martinez (Argentina)

RB- Achraf Hakimi (Morocco)

Hakimi has not only been a crucial part of the aforementioned watertight Moroccan defence but is also such a massive part of their offensive strategy. His blistering pace down the right-flank is such a weapon and at times he was their most advanced player. His performances have perhaps marked him out as the best right-back in the world at this moment in time.

Honourable Mentions: Denzel Dumfries (Netherlands); Nahuel Molina (Argentina)

CB- Romain Saiss (Morocco)

I promise this is not just the Moroccan team but one of my favourite things about the World Cup is seeing a player I had thought to be totally average turn into an international superstar. Saiss played like John Terry or Carlos Puyol at this tournament, throwing his body in front of everything and winning every header anytime the ball came into his box. And on top of that, he seemed to be playing with a constant hamstring injury. Had he not been restricted by the injury in the final games, Morocco may have gone even further.

Honourable Mentions: John Stones (England); Pepe (Portugal)

CB- Josko Gvardiol (Croatia)

One of the most obvious picks and for good reason. Gvardiol was highly thought of before, but has emerged as the best young centre-half in World football after his performances at the World Cup. He’s built like a s***house, lighting quick and good on the ball. He’ll not be short of suitors in the summer.

Honourable Mentions: Thiago Silva (Brazil); Cristian Romero (Argentina)

LB- Theo Hernandez (France)

This was probably the hardest position to pick as I don’t think there was an obvious standout left-back in the tournament. Hernandez gets it on the basis of his one goal and two assists. Considering he only came into the team because of an injury to his brother, Lucas, that’s not bad going. How he copes with a certain Lionel Messi tomorrow is a different matter entirely.

Honourable Mentions: Luke Shaw (England); Daley Blind (Netherlands)

CDM- Sofyan Amrabat (Morocco)

There are always break-out stars at a World Cup and this time there have been none bigger than Sofyan Amrabat. He plays his club football away from the spotlight for mid-table Serie A side Fiorentina, but he has been absolutely world-class for his country. That tackle on Mbappe is a tournament highlight.

Honourable Mentions: Aurelien Tchouameni (France); Casemiro (Brazil)

CM- Jude Bellingham (England)

Maybe there’s a bit of bias here and there are certainly other contenders for the spot, but Bellingham has just been so, so good. He can quite literally do everything: tackle, dribble, run in-behind, assist, score headers. The lot. England are lucky to have him and if he lives up to his astronomic potential, they might have a genuine world-leading player on their hands.

Honourable Mentions: Azzedine Ounahi (Morocco); Mateo Kovacic (Croatia)

CM- Antoine Griezmann (France)

I think Griezmann has been one of the most underrated players of his generation. And its testament to what a good player he is that he has undergone a complete transformation in position and role within this French team. From being their central striker and main goal-getter at Euro 2016 to something more akin to a creative midfielder now, at times just as impressive defensively as offensively. He deserves more respect and this tournament might finally have earned him that.

Honourable Mentions: Luka Modric (Croatia); Bruno Fernandes (Portugal)

RW- Lionel Messi (Argentina)

Do I even need to write anything on this one? The greatest footballer of all time. Putting on one final show at surely his last ever world cup. Maybe not the constant force he once was, but still capable of moments that no other player can match. It feels written that he finally gets to lift the trophy that has eluded him. I am among those wishing he does.

Honourable Mentions: Hakim Ziyech (Morocco); Bukayo Saka (England)

ST- Olivier Giroud (France)

Similar to Griezmann, Giroud firmly belongs in the ‘criminally underrated’ category. In fact, he might actually be the most underrated player ever. He’s basically won it all, he scores big goals and his link-up play has always been flawless. And at 36, he’s still doing it at the highest level. Deservedly now France’s record goal-scorer, he’s another who has had one hell of a last dance.

Honourable Mentions: Julian Alvarez (Argentina); Richarlison (Brazil)

LW- Kylian Mbappe (France)

I find myself wanting to dislike Mbappe. The ridiculous saga over the summer was further evidence that he is very much an indulged superstar who has an ego similar to Cristiano Ronaldo. But f*** me, he is good. And when he’s at this best, as he has been at times in Qatar, he’s unstoppable. Electric pace, lighting quick feet and lethal finishing. He’s the obvious heir apparent to Messi and Ronaldo as the best player in the world.

Honourable Mentions: Cody Gakpo (Netherlands); Ivan Perisic (Croatia)

And now for some traditional and not-so-traditional awards to celebrate the best and worst of the tournament…

Best Player- Lionel Messi

It’s a toss-up between him and Mbappe but Messi plays in a weaker team and has dragged them through single-handedly at times.

Best Young Player- Josko Gvardiol

Bellingham and Enzo Fernandez are contenders, but Gvardiol just about edges it for overall importance to his team’s performances.

Surprise Package- Japan

I know it’s Morocco really, but I’ve talked enough about them already. Japan have been my favourite team to watch this tournament with their fearless attacking football a real joy. Their victories over Germany and Spain were incredible.

Best Game- Argentina 2-2 Netherlands (Quarter-Final)

This game had everything you want in a football match. An astonishing assist from Messi; a thrilling comeback from the Netherlands, including a brilliantly inventive last-minute free-kick routine; disgraceful behaviour/elite s***housery depending on your persuasion with Paredes volleying a ball into the Netherlands bench; loads of bookings; whole-team scraps; a penalty shoot-out. And of course, Messi calling Wout Weghorst a donkey. The only time those two will ever be mentioned in the same sentence.

Best Moment- The two or three minutes of madness in Group E

This is a niche one and it requires the screenshot above to explain. But for two or three glorious minutes, a group containing former champions Spain and Germany had Japan and Costa Rica going through. Despite Costa Rica losing 7-0 to Spain in their first game. Something that could only happen in football. Germany went and ruined it by turning the game around against the Costa Ricans but just for a moment, we existed in another universe where logic disappeared and nothing made sense.

Biggest Disappointment- Denmark

Again, maybe not the obvious choice, as I think most people would have Belgium here, but Denmark were absolutely abysmal. Most people had them tipped as dark horses after their performances at Euro 2020, but they finished bottom of the weakest group in the tournament. Scoring just one goal. Rubbish.

My England World Cup Squad 2022

With just one matchweek of the Premier League to go before the first ever mid-season World Cup, the minds of players and fans alike are starting to re-focus on Qatar. Gareth Southgate is due to pick his 26-man squad for the tournament this Thursday and the debates of who should and will be included have long since begun in television studios and pubs around the country.

With the unfamiliar timing of the competition, there has been the added factor of cruel last-minute injuries, with the likes of Reece James and Ben Chilwell among those who look as if they are going to be forced to miss out. Meanwhile, there is the age-old form vs past achievements debate with the likes of Harry Maguire, Jadon Sancho and Kalvin Phillips struggling for game time for their clubs for varying reasons.

With all of that to consider and weigh up, here is who I would take on the plane. Gareth, if you’re reading, take notes…

Goalkeepers:

Jordan Pickford, Aaron Ramsdale, Nick Pope

Easy-peasy here. Dean Henderson is maybe the only other viable contender but he’s made some mistakes at Forest. Pickford to start, Ramsdale as deputy and Pope to help out in training.

Defenders:

RB: Trent Alexander-Arnold, Kieran Tripper and Kyle Walker

Southgate’s favourite position, as is the joke, and certainly England’s strongest in terms of the depth available. I actually think this has gone from one of the hottest debates to one of the simplest, due to form and the injuries to Kyle Walker and Reece James. Trent Alexander-Arnold’s claims on a starting berth have weakened due to his struggles this season, but he has to go for his crossing ability from deep areas. England are going to have to break down packed defences in the group stage and wide areas is where the team will get time and space. If playing five at the back, Tripper gets in as the right-wing-back and Walker, when fit, will slot in his right-centre-back role. If James was fit, he would be there too.

CB: Ben White, John Stones, Conor Coady, Harry Maguire, Eric Dier

So, the age-old question: To slabhead or not to slabhead? Harry Maguire has been England’s most consistent defender during Southgate’s tenure as manager but has endured a miserable last year and has lost his place in the United side. My biggest issue with Southgate will not be if he takes Maguire to Qatar; I think he sort of has to now. It’s that he never gave the alternatives a chance. What was the point of putting Fikayo Tomori or Marc Guehi in recent squads if you weren’t going to give them any minutes on the pitch? It’s now too much of an ask to throw them in to a World Cup game with no real previous international experience.

Meanwhile, Ben White has been excellent for Arsenal this season and can fill in for Walker in the RCB role while he still regains fitness. John Stones is a dead-on starter whilst Conor Coady and Eric Dier make up the numbers for two reasons: they suit a back three and they’re known for being good squad members. When there’s not too much to choose between the various options, you may as well pick who you think is best for morale.

LB: Luke Shaw, Ryan Sessegnon

Everyone felt for Ben Chilwell this week. It’s hard enough being deprived a World Cup place by injury, but to get injured in the closing minutes of a dead rubber game is particularly cruel. Luke Shaw has therefore become a certain starter as England’s only proven option at left-back whilst the back-up spot goes to Ryan Sessegnon, though he’d do well to get any minutes on the pitch.

Midfielders:

Declan Rice, Jude Bellingham, Jordan Henderson, Mason Mount, James Maddison, Phil Foden, James Ward-Prowse

Some of these are nailed on and some are wildcards and gambles. Declan Rice will start as the holder and one of England’s great hopes for the tournament is the prodigy that is Jude Bellingham, who has the ability and temperament to have a Gazza-like influence on proceedings. In terms of more attacking options, Mason Mount and Phil Foden will go and probably rotate in either wide areas or as the number 10. Jordan Henderson will perform his customary “steady older head to bring on after seventy minutes” role.

And then James Maddison is the romantic option. There is so much talk around him but his performances for Leicester merit the attention. He played like Kevin De Bruyne against Everton yesterday. Plus it’s a guarantee that England are going to need to throw on a game-changer at some point in the tournament; Maddison can be that maverick who can make a difference. Finally, James Ward-Prowse goes because he’s really, really good at free-kicks and penalties. That’s literally it.

Attackers:

Wingers: Bukayo Saka, Raheem Sterling, Jack Grealish, Marcus Rashford

In wide areas, it’s a case of variety being the spice of life. We’ve got players who will dribble at their opponents, cause problems and win fouls like Saka and Grealish, and then speed merchants who can get in behind like Sterling and Rashford, who possess a greater goal threat. Those who just miss out are the likes of Bowen and Sancho, mainly because with the likes of Mount and Foden also capable of playing wide, I just don’t think you need too much of the same thing.

Strikers: Harry Kane, Ivan Toney

There’s no point even discussing Kane other than to say that for all the talk of the talent we possess, if we didn’t have his goals, we’d have as much chance of winning the cup as Iran. His back-up option has provided a lot of discussion and there are a number of names in the frame, a few in excellent form as well. To me, it’s all irrelevant. Kane’s never going to be taken off unless we’re 5-0 up so the person chosen is going to be nothing more than a glorified water-boy. Therefore, there is only one reason to pick someone here: Penalties. Southgate may well decide to repeat his tactic from the Euro 2020 final and put on his best penalty-takers in the final minutes of extra-time. And if that’s the metric, then it has to be Ivan Toney. The bloke doesn’t miss.

Anatomy of a Scene- “The Grand Budapest Hotel”- “The Police Are Here” Scene

I want to talk about one of my all-time favourite films: The Grand Budapest Hotel. For me, it’s a joyous, stylish, endlessly funny and rewatchable classic and in my opinion, the very best of Wes Anderson’s impressive collection. The challenge in writing about it was therefore not in coming up with things to say but in choosing only one scene to focus on, as practically every frame of the film is a masterpiece in its own right.

I have decided to go with the “The Police Are Here” scene which takes place roughly a half hour into the film and signals the first big twist in the narrative. The full scene can be viewed here: https://www.youtube.com/watch?v=DzrJBcwcm_o

The Camera:

Now if anyone has ever seen a Wes Anderson film, or even if you have heard anything of the acclaimed director at all, you’ll know that his trademark style and camerawork has a reputation all of its own. It’s basically become it’s own genre at this point: A Wes Anderson Movie. And one of the defining components of that style is symmetry. Perhaps the most common shot in an Anderson film is the character being perfectly centre-frame with the background behind them deliberately designed to be as balanced and even as possible.

Even more astonishing is that for The Grand Budapest Hotel, Anderson actually changes the aspect ratio of the film for each separate time period in which it takes place. I won’t bore you with the technical details but essentially he makes the 1920’s scenes appear like the films of the actual 1920’s, just by the way he shoots them, and that is just beyond inspired.

Anyway, back to the scene. It starts with lots of different shots, with the focus switching from the Hotel worker delivering the message, back to Zero and Monsieur Gustave, back again as the messenger departs and then into two trademark symmetrical frames where Gustave and Zero look out the window and then speak to each-other, a gap in the curtain between them.

However, once they leave that room and head downstairs to the lobby, the camera then doesn’t move for nearly an entire minute, fixed in a position, waiting for Gustave to arrive in its centre. Even better is that it remains even after he sprints away from the police. This is done to show that at this point in the narrative, the entire world of the story revolves around Gustave and rather than the camera leaving him at this moment of crisis, instead it is as if he has chosen to leave the frame.

The Comedy:

I’m going to talk about both dialogue and performance together here because the two work in perfect harmony to create another key facet of the scene: its humour. Ralph Fiennes has an absolute ball as Gustave throughout the entire film, bringing an exaggerated energy to the extraordinary character. Even in the simplest exchanges where no obvious jokes are present, like Gustave’s response to the messenger, there is still lots of humour, with each line delivery and pause perfectly timed.

And then in this exchange between Gustave and Zero, it’s just a brilliant piece of scriptwriting, though once more the timing of the lines by the respective actors elevates it to higher levels of hilarity:

G: Have you ever been questioned by the authorities?

Z: Yes, on one occasion.

G: What?

Z: I was arrested and tortured by the rebel militia after the desert uprising

G: Right, well you know the drill then; Zip it!

The Colour

This is something I would almost never point out in a scene analysis as whilst never incidental, it is rarely as important as other aspects like the music or acting, but in The Grand Budapest it forms such a crucial part of the world that Anderson creates. Why the film works so well, and why it has such a charming and feel-good quality to it is because it never appears to us like the real world, but rather a glamorised, slightly surrealist version of it. And Anderson’s use of colour is central to that.

The background of the first room is simultaneously both bright and dull, with the colour scheme being a kind of beige and orange combination. This is to ensure the eye is always on the characters who are dressed in a much more vibrant purple. Even when the action moves to the far grander lobby, with the hotel’s bright, red carpet visible, that becomes more or less obscured when Gustave and Zero approach, and instead the only background colours are once more bright and bland.

Finally, the difference in the clothing between the police, decked in a dull grey, and Gustave and Zero in their luxurious purple is an obvious comment on the characters and a veiled anti-Military message. These are subtle details but every single thing is deliberate and meticulously planned in The Grand Budapest Hotel and that is why it has such an enduring and intrinsic charm.

Lessons from the Edinburgh Fringe

You may have heard (if you follow me on any social media platform you definitely have…) that I took a show that I co-wrote, co-produced and then performed to the Edinburgh Fringe Festival 2022. It’s now been a few days since the last performance and I’ve had time to reflect on the experience as a whole, something I definitely couldn’t do whilst it was happening, such is the festival’s intrinsically manic, non-stop nature.

In general, the experience lived up to any lofty expectations I had and probably surpassed them as well. I managed to never lose sight of the fact that it was an honour and a privilege to be putting a show on in the first place and that meant that whatever was thrown our way, good or bad, it made it a lot easier to take it all in our stride.

Some, if not the majority, of the performers at the Fringe are hoping to utilise the festival as their big breakthrough moment. The careers of many comedians and performers were indeed launched in Edinburgh and so there is a distinct scent of aspiration and occasionally even desperation that lingers in the dressing rooms and venue bars. I never thought of our show in the same way. And so I guess there wasn’t the weight of pressure that many of our fellow acts must have felt.

And yet on the flip side, there have also been so many people who have praised us for having the “courage” to do this and that they wish they could do the same one day. Well, you can! I’m not going to deny there’s quite a lot of thought and effort involved, but I guarantee you have put just as much thought and effort into something else in your life that won’t have produced anything like the rewards that the Fringe will. And if you are ever so slightly considering it, I hope the following little guide can be the thing that tips you over the edge…

So with the caveats established that this is by no means a “How to Make it at the Fringe” guide and certainly not a “How to have the perfect Fringe” guide either, I hope that these little tips can help to make performing at the festival a less intimidating prospect. To put it as bluntly as I can: If we can do it, with our limited budget, experience and expertise, and it can still go incredibly well, then really anyone can.

#1- Sell, but don’t Oversell

If anyone has been to the Fringe before, then you will incredibly familiar with one thing: Somebody rapidly reeling off a perfectly rehearsed one-sentence pitch about their show, whilst stuffing a flyer into your hand. And if you’re brave enough to walk down Edinburgh’s busiest street, The Royal Mile, you will finish a hundred-metre stretch with enough paper on your possession to open up a stationery store. It’s a bit annoying and worryingly not very environmentally-friendly, but it’s such a massive part of the Fringe that you have no choice as a performer but to grab a big stack of your own flyers and head out to bother some poor passing tourists.

Given that there are over 3000 shows at the Fringe, competition is fierce and so what you say, and perhaps more importantly, how you say it can be the decisive factor in somebody coming to see your show instead of the guy dressed in drag a couple of feet down from you. You need to do something to catch the eye in the first place. A fellow performer gave us the fantastic idea of getting a big whiteboard and writing “What’s on your Bucket List, Edinburgh?” to try and engage people without having to just blindly promote the show. And then once you have established that relationship and they’re actually willing to listen to you for a minute, then you can try and convince them to buy tickets and come and see you.

And whilst this may just be my personal taste, this “softer” approach is far more effective than the “oversell” tactic. The best example of this being at the Greenside Launch event on our very first day at the Fringe, an American director got talking to us about her show. She summarised it really well initially and I was honestly very willing to come and see it, but she just kept going and going. And ten minutes later, I was now determined to avoid the show at all costs. So that’s the balance: You have to put yourself out there, or you’ll be performing to empty seats each day, but don’t forget that no one, especially if they’re British, has any time for self-obsession.

#2- A Good Technician is like gold-dust

Okay, now this one we found out by sheer luck. Getting a technician was one of the most difficult parts of organising the festival. Some venues book them for you, but Greenside aren’t one of those and whilst they did provide a helpful list of accredited freelancers, the person I had initially booked had to drop out and everybody else had since been snapped up. So after a desperate scramble on a Facebook page, we found Peter literally a week before we started, and only met him the day before our Tech rehearsal.

Given these circumstances, I’d have taken anybody that had two fingers and could therefore move the lighting switches and press play on the computer at the same time. Instead, Pete helped to transform the show from an amateur shambles that wouldn’t have looked out of place in someone’s front room to something that at least resembled a slick, professional production.

The gaping hole in mine and James’s creative knowledge was the technical side and whilst I had tried my hardest to make a legible cue sheet and put all the music in the right order, Pete took one look at our plans on that first meeting and quickly told us that what we wanted was essentially impossible unless he took it all over and programmed it himself.

Now, not everyone will get somebody who is so amenable and willing to help at such short notice so my advice is to find someone who knows what they’re doing as early as possible and trust their superior knowledge to put everything in place. Quite frankly, you’ve got enough to worry about anyway, leave the technical side to those who know what they’re doing. It makes all the difference.

#3- Take time to yourself before each performance

It seems a ridiculous thing to say, but with everything else that’s going on at the Festival, from flyering to social media posts to talking to other performers to arranging to meet friends and family, the thing you think about least is the actual performance at times. So, therefore it is absolutely essential that about a half-hour to an hour before your start time, you go back to the dressing room and get into “the zone.”

Now, all the credit for this has to go to James, who thanks to his acting course, has an endless amount of acting warm-ups that we would run-through each day. I was maybe a bit sceptical at first, but once we had done it a few times, I could actually feel my body relaxing and then re-energising, ready for the performance. Added to that, we would then both switch off from each-other and put our headphones in and listen to music, just to make sure we were mentally in the right places for the start of the play. Everyone is different so there’s no point going through our own routine, but find yours and make sure you do it every day, regardless of everything else you need to do. It would be an awful waste to spend all that time getting people into your space, only to not be ready to impress them once they’re there.

#4- Stick to what you know

One unexpected lesson I learned from Fringe this year was that I am getting old fast. Given that it’s been three years since I’d even been in Edinburgh as a spectator, the world and the methods of promotion have come a long way since then. This year, Fringe was partnered with TikTok. An app I have never used and find about as irritating as Chinese water torture. I know, I’m twenty-four going on eighty-four.

Now, for some performers I bet this is a godsend and I’m sure they used TikTok to great effect during the festival. And we did wonder if we were missing a major trick and so booked a meeting with the Fringe TikTok team to discuss what we could do. The poor woman was probably just doing her job but she lost me almost immediately and once she started showing us her own “fan account” (whatever the actual fuck that means) I stopped listening altogether. We left the meeting respectfully and then looked at each-other, saying at the same time: “We’re not doing that.”

Now, this isn’t meant to be a rant (though it may have slipped into that) but just a pointer that TikTok wouldn’t have worked for us because we wouldn’t know what we were doing. My father, who tried to appoint himself as marketing manager for the show, put up a TikTok of a still image of our poster and a rap song that he didn’t even know he had used. That’s not how we were going to get people in. So, stick to what you’re comfortable with. Better you do what you know well, than do things you don’t understand badly.

#5- Don’t obsess about numbers

We went into the festival saying things like “Oh if we get half-capacity every night, that’ll be pretty good.” Whoops. As mentioned above, there are 3000 shows at the festival and unfortunately your show is rarely going to be at the top of people’s to-see-list. Especially for the first few performances, no-one will even know you exist and so you can’t expect big crowds to turn out. Therefore, you should see it as a success if anyone comes to see you at all. At least you have someone to perform to. This was put into perspective for us as the shows in the slots either side of us both had performances where they didn’t have a single person. Now these were more experienced, and quite frankly better, performers than us, so it shows how difficult and competitive it can be.

And if your show is half-decent, it will pick up. By the end of the run, we were exceeding half-capacity. And thankfully we never had the dreaded empty room. You can track your box-office sales online and I did become a bit pre-occupied with this, mainly because I was essentially watching a live report of my personal financial debt. Obviously it’s a good thing to keep one eye on this, but I’d recommend not worrying about it too much. If you get into the mindset that one performance is more important than another because of who is in the audience, you’ll just mess yourself up.

#6- Reviews: Find the Gold in the Dirt

Reviews are a massive part of the Fringe. If you are struggling to get people in, then a good review can change your fortunes, as people do read publications like The Scotsman and EdFringe Review when deciding what to see. And even now, when I read the Greenside Facebook page, it’s full of acts begging for people to come and see their show, because they’ve got a reviewer in and need to look as impressive as they possibly can.

Now, I think reviews affected us less than your average act because of what I mentioned above regarding us being there to enjoy the ride rather than to “make it big.” But that doesn’t mean we didn’t search them out and read them when they came! It’s human nature to want to be praised and championed and of course no-one is doing Fringe thinking that their act is rubbish so there’s a fair amount of ego involved.

That being said, it’s incredibly important not to obsess about star ratings and quick takes. And even more important to try and get some self-awareness of where your show sits within the Fringe spectrum. There are professional companies that are at the very top of their game selling out hundred-seater venues every single night, being reviewed by the exact same people as you. So, it’s unlikely, bordering on impossible, that you’re going to get five stars each time.

Instead, just take the win that somebody took the time to come and review you at all. We again were incredibly fortunate in this regard as we were reviewed by some pretty prominent publications and whilst they of course didn’t love every single thing about our show, each one said a number of really positive things. That’s what I mean about “finding the gold in the dirt”; always focus on the positives. And if I’m honest, reviewers know what they’re talking about! Nearly everything I read about our show was pretty much spot-on; so when they praise you, make sure you absolutely cherish that.

#7- Get by with a little help from your friends (and family)

Finally, I’m going to shamelessly gush about everyone who supported us during this crazy process. Despite everything I’ve just said about making the most of your Fringe experience, it would all have been irrelevant without our family and friends. Not only have they helped us in a million different ways, from providing accommodation, to buying dinner, to helping us flyer, to taking photos and videos to even fixing our props (Thanks Mum!) but they have also been such a big percentage of our total audience. And for me personally, it relaxed me so much when I was standing behind the curtain, knowing there would be friendly faces in the audience.

So, my final piece of advice or lesson learned from performing at the Fringe is that before you do anything else, make sure you mobilise the support of those closest to you. Everyone will always be able to help in some way and when every cost counts, it helps that they don’t charge for their assistance! More than that, the Fringe can feel overwhelming at times, so having the people you love the most around you to offer comforting words or just to take your mind off the show for a moment is an absolute essential. Perhaps the most important thing of them all.

The Path Between the Cypress Trees- Excerpt 3

Chapter Sixteen

Chiara said she wanted to get out of Arezzo that weekend and so we decided to take the train down to Castiglion del Lago, one of the biggest towns on the edges of Lake Trasimeno. The train journey wasn’t long, but the station was situated at the bottom of the hill with the towering, older buildings of the centre of the town looming in the distance. We made the walk up towards it, with the sun baking down on us. I had to stop to take off my sunglasses and wipe away the sweat that had started to drip into my eyes.

We climbed a steep set of steps and stood in front of the medieval structure that hosted the main streets. In front of us was a fountain, a more modern style than most I had seen in Tuscany, which sprayed water up in parallel directions, forming a sphere out of the deflected splashes in the centre. As we carried along the path that curved to the side of the town, the great blue surface of the lake became visible. It was enormous, more of an ocean than a lake, stretching round the back of the town and pushing against the hills that lined the horizon, shining and shimmering brightly in the sunlight. There was a forested island that stuck out in the middle and a thin and uneven line of sand that ran along at the bottom of the hill to our right. Now we had reached a certain height, the air cooled slightly and there was a light breeze that brushed across the water and rose up towards us.

               “Beautiful, no?” said Chiara, as she wrapped her hand around my forearm.

               “I’ll say.”

We didn’t go down to the water first, as inviting as it was, and instead we climbed some more steps that snaked around and up to the entrance to the town. When we reached the top, there was an open archway in front of us, the entrance to breach the giant walls that enveloped all the buildings inside. We walked through and the streets came into view, with the familiar dim hues of the tattered, old walls, specked with balconies, windows, verandas and umbrellas over seating areas outside bars and restaurants. It was far smaller than Arezzo and there was an obvious curve to the town, so you had to lean around the corner to see further down the street. As we walked, I noticed a number of little, walnut-brown birds, small enough to fit in my hand, that would hop along the cobbles, occasionally jumping up to on a table, even if there were diners sat at it. The locals didn’t seem to mind and I saw one man with stretched, weary skin reach out and try and stroke the tiny visiting creature.

We picked a bar to sit at based on how popular it was and took a seat at one of the outside tables. Chiara had worn a bright, red dress that suited her perfectly and she had tucked her sunglasses on the centre of her head, stylishly keeping her hair out of her face. It took moments where I sat across her like that, in a new setting, to remind me of how stunning she was. I smiled at her and blew her a kiss in the air.

The place proved to be a good choice. I had warm and crusty bruschetta served with a flavoured garlic butter and the tangiest, saltiest anchovies, washed down with chilled, sweet white wine. We took our time and ended up being the last table seated as we savoured the afternoon and each other’s company. Chiara waited a while to ask me one question in particular.

               “Would you find it weird if I invited you to my parents’ house this week?”

               I chuckled and took a sip of wine. “Why?”

               “My mother told me to invite you over for dinner. It’s okay if you don’t want to of course. It’s just for Italian parents, they like to be involved, you know?”

               “Of course I’ll come, if she’s invited me. Do you want me to?”

               “Yeah, I do.” she said and she smiled as she looked away from me.

The wine had made me amenable and I had said yes to make Chiara happy, without actually considering the task I had just agreed to undertake. Immediately thoughts rushed into my mind and nerves began to form in my stomach.

               “Oh god, you’re going to need to tell me what to do.”

               She started giggling. “Relax, Tesoro. Their English isn’t very good so you won’t actually have to speak to them that much. And it’s okay, they’re quite laid-back for parents I think. Though… you should probably get them a gift?”

               “A gift?”

               “Yeah, not anything big. Just like a bottle of wine or something.”

I put my head in my hands and wiped my eyes, staring back at Chiara through the gaps in my fingers.

               “Anything else?” I asked, fearfully.

               “Well, just make sure you’re hungry. Not eating much is basically like spitting in their face.”

               I sat back and breathed out. “Okay I can do that.”

               She widened her eyes and looked tenderly at me. “It will be fine, I promise.”

We finished up our lunch and took a stroll through the rest of the town. I took Chiara’s hand, stopping to bring it to my lips on occasion. I just couldn’t resist touching her in some small way. There wasn’t much more to see, save for a castle tower at the edge, and so we circled back and got some gelato, before deciding to head closer to the lake.

The area at the bottom of the hill was sparser, with only a few seaside bars made up of makeshift gazebos lining the street closest to the water. And then there was a stretch of grass that ended in a beach club, where a few people had rented paddle boards and pedalos. The lake was about fifty or so metres back from the walkway by the grass, with a strange, striped assortment of different surfaces leading out to it. Patches of orangey, clay-like sand and then strips of wet, light green moss and lines of seaweed that had accumulated in trapped, shallow pools of water. The water itself looked even clearer at closer viewing and was a sparkling sapphire colour.

We took a seat on a bench and stared out, admiring the gorgeous view. There were small waves that formed at the closest part of the lake, gently swaying and rising up before evening out again. And there was a large, rough-looking rock that sat like an anchor, a great slab of granite that had been dropped a few feet from the shore.

               Chiara pointed out at it and asked “Do you want to go and walk out to that?”

               I shook my head and replied. “Maybe in a bit. You can go though, if you want to.”

She left me with her bag and belongings and clambered down the rocks to the patchy lead-up to the water. I watched her, carefully at first, in case she slipped, but then I eased into a relaxed, amorous state instead. She looked back at me a few times and I would raise my arm and wave at her. When she reached the water, she allowed the remains of the first waves to wash over her feet, before she started to wade out further, the water gradually rising towards her thighs.

It was one of the most beautiful things I had ever seen. She looked so happy and carefree as she meandered outwards, running her fingers on the surface of the water. The sun would occasionally catch the shine of the back of her hair or the glint in her sunglasses and beam back at me. Her dress against the water made her look like a rose in a sweeping field of delphiniums. I thought then that I would be satisfied if I could watch her forever. Happy with the knowledge that something so elegant had once been mine.

And that thought transformed seamlessly into others. Of the impending meeting with her parents, of our time together overall, and of how endlessly happy and free she made me feel. I began to think of the fact that one of the final days I had in Arezzo could be the last time I ever saw her, and that seemed an impossibility to me. A fact that I couldn’t accept.

And I started to imagine what our lives would be like together, if it was to extend beyond our brief, summertime fling. I saw a house up in the hills that surrounded Arezzo, with a long driveway that tested the gears of any car that attempted to traverse it. With roof tiles made out of terracotta and clean limestone walls and a garden that grew large bushes of different colours, with olive trees and seeds tangled in the grass. With a patio that led into a pool, with a table and chairs that was sheltered under the shade of a porch. Where I could sit and watch as the little birds visited and stood pecking at the water. And I imagined Chiara coming out of the back of the house, with a jug of fresh lemonade or juice. Sitting next to me as we enjoyed the peace and solitude of our home, looking out as our garden was kissed by the light of the Tuscan sun.

I began to think more pragmatically about how I could make it happen. Perhaps I would need to return to England for a while, make sure that I worked out all the necessary visas and other admin that was required. Study Italian so that I could return fluent. Chiara could finish her studies, but I’d visit her in Bologna every chance I got. And then maybe I could get a job teaching English. I quite liked the sound of that. And gradually save up until we had enough to buy the place out in the hills, where I could finally escape to my Tuscan retreat and see out the rest of my life in true happiness. And most pertinently of all, I would never, ever have to be a Junior Purchasing Officer. I thought back to what Seb had said during our call. Was this what I really wanted?

Chiara’s voice called out to me to break me from my slumber. I looked out and could see that she was now almost half-covered by the water. Her hand was in the air and she was gesturing me towards her. She looked so joyful, her perfect smile amplified by the sunlight. It called out to me like a beacon. I smiled and chuckled, getting to my feet and carrying the bag down the rocks and on to the sand.

The surface squelched and disintegrated under my feet, with the consistency being closer to mud and it took me a moment to adjust and take lighter steps. I walked out as far as I could in my shoes and with the belongings, setting them down on a slightly raised island of sand about halfway between Chiara and the path. I took my socks and shoes off and then I headed into the water, stepping through the hairy patches of seaweed. To my surprise and immediate delight, the shallower parts of the lake were as warm as bath water and the sensation as my feet were first submerged sent a pleasant shiver up my body.

I waded out to Chiara, the expression on my face giving away my reaction.

               “It’s so warm, isn’t it?” she said. “It’s heaven.”

               “It really is.” I replied as I looked up at the sky and took a moment to enjoy the dual warmth that was hitting both halves of my body.

We stood there for a while, allowing the waves to gently roll over our legs. To our left, there were smatterings of people also swimming, but no more than twenty. I couldn’t believe it. It was such a pleasurable experience that I wouldn’t have been surprised if the whole town had emptied into the water.

               “I wish I had brought my swimming trunks.” I said to Chiara.

               She smiled knowingly at me. “If you want to swim, we can.”

               I was surprised. “What, in our clothes?”

               She laughed. “Well, are you wearing underwear?”

I nodded and finally got what she was suggesting. I stood for a moment, considering as I looked back at the path full of people. And then back at Chiara, who held her arm slightly to her sides as if waiting for me to decide.

               “Okay, yeah. Let’s do it.”

We returned to where I had placed the bags and stripped down to our underwear, placing our clothes in a hastily-assembled pile on top. And then I took her hand and we ran out into the water once more, Chiara screaming and laughing with excitement. After a few metres, the surface level dipped and we had to break into a paddle, kicking our feet to stay afloat.

I turned and Chiara jumped towards me, wrapping her legs around my waist and her arms around the back of my neck. My hands instinctively reached out to hold her bum. She kissed me intensely on the lips and I could taste the fragrant, seaweed-like water. I held her to me for a while after that and the two of us bobbed in the sumptuous warmth of the lake, looking up at the old buildings of the town in front of us. I thought about it for a few moments, before I decided that it may have been the happiest moment of my entire life.


Chapter Seventeen

Every first weekend of the month in Arezzo, there was a historic and renowned Antiques Fair. It had been one of the city’s major attractions for over fifty years and was therefore something I felt obligated to see. Chiara and I headed out early on Sunday morning to the Piazza Grande where the centre of the fair was located.

The scene that greeted us was bustling, chaotic and compelling. The stalls were constructed under small, square tents and covered the entire courtyard of the Piazza, but in a convoluted manner that seemed to have no recognisable pattern. It was impossible to decipher where one stall ended and another began, nor which items belonged to which vendor. There were large items of furniture, such as wardrobes or sofas or full-length mirrors, left isolated in the spaces between stalls and piles of large collections of objects, ranging from delicately-designed table lamps to huge green bottles that looked like they hadn’t been properly cleaned in a generation. And as we walked through and glimpsed in to the tents at the wares laid out on long tables covered with white cloths, we could see all manner of object. Jewellery and ceramics and books and records and vases and paintings and ornate kitchen tiles and small, wooden figures and even a collection of creepy-looking knitted dolls. Enough to fill an entire house, or a castle even.

We wove our way through and headed for the Vasari Logge to sit down and have a coffee. Even there though, where the stretch of restaurants was located, the stalls remained. In fact the restaurants had compromised their own outside seating to accommodate the stalls setting up beneath the famous stone arches. It was the same as the Giostra del Saracino; in Tuscany, tradition came first and everything else had to make sure they could fit in around the edges of it.

We still managed to grab a table, nearest to the back wall and we ordered coffee and watched the scene unfold. I had learnt to love people-watching in Italy, every interaction told a story, one that I had to unravel myself. Our waitress shouted across us at an elderly man heading into the nearest door and he shouted back. It appeared to be an argument at first but they were both soon laughing and joking with each-other, like old friends. I think it was to do with the inherent nature and spirit of the language. In Italian, everything sounded simultaneously angry and affectionate. A disagreement turned into a cuddle. A telling-off became a shared joke. An argument could transform seamlessly into a declaration of love.

               “Do you want to buy anything from the fair?” asked Chiara.

               “I don’t know, maybe? I haven’t got anything in mind that I want, but I’m happy to just see what we can find.”

               “Maybe you should buy something that reminds you of me.” she said, teasing me. “For when you get back to England.”

The suggestion made my heart sink a little. I hadn’t yet told her of my thoughts about staying in Italy, of prolonging our courtship further than had initially been promised. I wanted to make sure it was the right moment, and in amongst the shouts of the vendors at the nearby market stalls, I decided to wait. It wasn’t that I was fearing a rejection of sorts, it was more a case of handling the conversation delicately enough as to manage expectations going forward.

Instead, I opted to pass on a message from Seb. “I had a call with my friend back in England the other day and I was telling him about you. He said to say hello for him.”

“Oh what did you tell him about me?” said Chiara, a flirtatious look in her eye. “And you can tell him I say hello back, what’s his name?”

               “Seb.” I replied. “And oh you know the normal stuff. What you look like, how we met, how good a shag you are…”

She swatted at my arm playfully and let out a trademark exaggerated gasp, which delighted and aroused me.

               “Stupid boy.” she said tutting. “How was Seb anyway?”

               “Not great.” I said, lowering my voice to signal the change in tone. “When we were growing up, he was always the one out of the two of us who had it together, you know? Like I remember everyone at school and even my parents all thought he was going to do really well. He was just that kind of guy. But he seemed really unsure of himself when I spoke to him, like he wasn’t sure he was doing the right thing?”

               “That happens all the time though. It’s the people who look like they are going to fly through life who often end up getting lost along the way.” said Chiara.

I smiled at her and she looked at me with confusion.

               “That was good.” I said. “You should write that down.”

               “Oh shut up.” she said, laughing.

               “Now say it in Italian.” I said, licking my lips exaggeratedly, and she hit me again.

               “I wonder what he makes of you.” she said after a pause.

               “Who? Seb?”

               “Yes. If like you say, he was always the one who had it together. And now you’re an actor. I wonder if he feels like you’ve overtaken him.”

I looked down instinctively and started fiddling with an empty sugar wrapper. I had almost forgotten the lie that I had told her on our first date. The fact that Seb had now been brought into it made it feel all the worse. I realised that if I did want to stay in Italy with Chiara and live in the beautiful, remote house up in the hills, I might have to let her know at some point that I wasn’t an actor. It might be tough to keep the deceit going in the long-term.

               “Oh, yeah, Chiara…” I started.

               “My parents think it’s very impressive that you’re an actor.” she said, cutting across me. “I think that may be part of the reason they invited you actually.”

I stopped myself from going further, deciding I could keep the lie going a bit for a bit longer, just to keep on the sweet side of her parents, for the first meeting at least. I was aware that all I was doing was kicking the can down the road, but I was nervous enough about the meeting as it was. Having to explain I was a liar, probably in a language I could barely speak, was not going to help.

               I smiled absently at her and said. “Shall we go and have a proper look at the market?”

We took a slow lap around the Piazza, taking a last look at the various collections that were on display there. And then we headed down the Corso Italia where the stalls continued, stretching right down the street on both sides. I loved the apparent incidental nature of it all. None of the sellers ever seemed that bothered, or even interested, as tourists browsed through the items on their tables, often attending to something else in the meantime. I even saw that at one stall that was located directly outside another restaurant, the vendor was reclined in a wooden chair, eating a plate of spaghetti that had been brought to him by one of the waiters. He muttered away to people as they passed by, in between mouthfuls of tomatoey sauce.

I brought one thing on the first stretch, a map of Tuscany that looked like it should have been on the first page of a fantasy novel, complete with oversized drawings of castles and other landmarks, and with the colour being a deep, bloody red, even though I personally imagined Tuscany to be perpetually in a state of olive green. We also popped into a bottega so that I could pick up a bottle of wine to bring when meeting Chiara’s parents. Chiara offered me guidance as to their taste, whilst I deliberately over-estimated the right price and brought a bottle I would have deemed far too expensive if buying for myself.

We turned the corner at the roundabout with the imposing statue of Guido Monaco in its centre and headed back up towards the Basilica di San Francesco. The stalls were less frequent now and I had stopped paying as much attention, my mind starting to think about what I could do to Chiara upon returning to the apartment. However, something caught my eye as we had made it halfway up the street and I nudged Chiara to stop and look at the stall.

               “Look at that.” I said, pointing at my discovery.

It was the Chimera. Technically not the Chimera, but a scaled-down likeness of it, small enough to be held in the palm of my hand. It looked to be made out of bronze, like the original, and it had clearly been designed to copy the exact stance, with only some fading around the expression of the three heads giving it away as an imitation. It was amongst a number of other miniature bronze figurines and it took Chiara a second to work out which one I was pointing out.

               “Oh the Chimera. Cute. Do you want it?”

               “Well, I was just thinking, we would probably never have spoken properly if it hadn’t have been for the Chimera.” I said, wrapping my arm around her.

               “Aw, that’s so sweet.” she said, kissing my cheek.

She turned to the vendor and asked him how much for the figure. I understood their initial interaction, but as soon as he had mentioned the price, she reacted like she had been insulted and launched into a long and rapid speech, hands flapping around wildly. I had no idea what she was saying, but the man seemed to gesture to her to calm down and muttered a different price. She said that it was fifteen euros and I handed the notes over to him.

He wrapped the little Chimera up in a thin felt paper for us and handed it to me, giving me a look that seemed halfway between jealousy and pity. As we walked away, I spoke quietly in Chiara’s ear.

               “What did you say to him? He changed the price right?”

               Chiara slipped her hand in mine. “I just told him what you had told me, Tesoro. Italians are always weak when it comes to love stories.”

I murmured and nodded back, wondering if Italians really were so susceptible to a romantic motive, or simply susceptible to angry, beautiful young women. I clutched my new possession closely in my other hand, feeling satisfied that I now owned a symbol of the city I had called my home as well as the fiery girl who had successfully negotiated for it.

The Path Between the Cypress Trees- Excerpt 2

Chapter Seven

I got on the train to Arezzo the next day. It was a relatively easy journey, my Florence apartment hadn’t been far from the station and I arrived in plenty of time to buy my ticket, work out the right platform and grab a coffee before I boarded. The train itself was beautifully air-conditioned, with comfy seats. The only thing that pissed me off was that there was specks of mud splattered all across the windows of my carriage which meant whilst I could still see out, it prevented me from enjoying the Tuscan countryside to the fullest extent.

Upon reaching Arezzo, I made my way up the hill from the station and found the apartment I would call home for the remainder of my trip. I took the key out of the lock-box next to the door and after battling with the lock for a few seconds, eventually found my way inside. My first glimpse prompted a response that had only occurred on a number of occasions previously.

It had occurred the first time I read The Catcher in the Rye. I finished the last page of the novel and sat unmoved for minutes afterwards, scared to fully close it for fear of somehow breaking the spell it had cast on me. It happened the first time I had taken a bite of an enchilada in my favourite Mexican restaurant, or the first time I had tasted a really good cheesecake, or in later years a vintage glass of wine. Or when my uncle had allowed me a glass of his rum liqueur. I could still recall the sweet, pungent sensation that had lingered in the back of my throat.

It occurred the first time I had met Laura Finney. In my first year of secondary school. I became aware of when she got up at the front of the class to deliver an assessed presentation to our French class. I was immediately struck by her juxtaposed modesty and confidence. She looked intimidated, frightened even, and I could see a small tear was hanging in the corner of her eye. And yet she delivered the speech perfectly, really enunciating every last syllable and nodding her head slightly as she did so, as if she was physically willing herself on. She had a clip at the parting of her hair and at one point in the presentation, her eyes found mine, just for a moment. On the word jouer. I watched her retake her seat at the window. I remember the flaps of the blind blew gently beside her as she leant against the wall.

So, this was the sensation that hit me as I entered my Arezzo apartment. Something resembling love at first sight. The place was lit only by the rays coming through the double-windows in the near-right corner. It was remarkably cool, even though I knew in advance that there was no air conditioning. This was due to the stone walls on the left-hand side, left bare and exposed by design. Their thickness must have been great enough as to block the heat from fully permeating from the outside.

Fabio, the owner, was an interior designer and so it made sense that in every little corner, in practically every available space, there was a randomly chosen object. For example, on the stone wall in the kitchen-come-living space, there was a large superhero poster, lifted straight from the pages of a comic-book. Also stuck on the walls were stickers, showing different cars and motorcycles. Above them were shelves that held everything from decanters to reed diffusers to framed photos of classic American advertisements for breakfast cereals.

There was a breakfast bar that separated the kitchen surfaces from the sofa and TV. It was situated in front of charcoal grey cupboards mounted on the back wall and more shelves, this time covered with little plant pots filled with lucky bamboo and cacti. And on top of the cupboards were a series of bottles, three different soft drinks and then three Heinekens. I had no idea if they still contained drink and didn’t want to test them, in fear of somehow ruining the carefully-assembled ambience of the space.

Better still was the large clock that hung above the sofa, sporting roman numerals in bold, black font and in its centre, an inscription that read: “University of Heidelberg.” That had been the university I had attended on my semester abroad and it only furthered my feeling that I was in a place that would very much feel like home.

Walking through the open doorway into the living room, the large double bed was positioned under a map of the world, painted directly onto the wall. There was a mirror next to me and then a clothes rack opposite it. Everything seemed perfectly positioned; there was a flow that extended from object to object. Next to the mirror was an alcove, that contained nothing but a tray of books, organised in a deliberately haphazard heap. There were also bizarre cubbyholes built into the walls, which you could open and see straight through. One even looked directly into the shower in the bathroom. It was even fit for a voyeur. A pervert’s paradise, as it were.

Finally, my favourite touch of all was located in one of the back corners of the bedroom, above a comfy-looking barrel armchair. It was a sign with a faded globe in the background and then at its front, just the words: “Not all those who wander are lost.” I laughed out loud when I noticed it and felt an intense giddiness wash over me. It was like the apartment was winking at me. As if the walls had perceived me, in the same moment I had first perceived them.

The location of the apartment was incredibly central. If I was to step out my front door, I’d step over the low-hanging chains that connected two bollards just outside. I’d head right and pass a small leather shop on the corner. If I were to take a left then, I’d have a short but steep trip up to the Piazza de Liberta. Where the town hall or municipo proudly stood. I could continue past it, crossing the road to climb the steps that protruded out from the cattedrale at the top of the hill. Beyond that was a beautiful circular park with the Monumento a Francesco Petrarcha in its centre, a large marble sculpture of various figures that looked as if they had merged together as one. The wear and tear on the sculpture only added to this feeling, as the marks on the marble gave it a distinctly liquid quality, as if the figures had gradually melted under the heat of the sun. To the left of the sculpture was a stunning view of the nearby hills and farms that lay on the outskirts of the city. And if I followed the park’s path all the way around, I would eventually arrive at the Fortezza Medicea, an imposing ancient ruin with a wide gate at its head, acting like the jaws of this great beast of a fortress.

If I were to take a right at the leather shop instead, I could either follow the hill down and come to the Basilica di San Francesco and perhaps stop for a glass of wine or a gelato under the watchful eye of the statue of Vittorio Fosambroni, an austere-looking figure that overlooked the adjacent piazza. Or I could take a quick left and follow the small street of Via Bicchieria which I knew roughly translated as ‘way of the glasses’, fitting for the stretch of restaurants that lined it. I would also pass a grand entrance to a theatre, of the ancient amphitheatre style. A welcome little snapshot of Arezzo’s Roman ancestry.

This route would lead me on to the Corso Italia, the longest and busiest street in the city, jam-packed with high-end retailers, cafes and restaurants. It was a strange juxtaposition of a street, seamlessly blending the ancient and the modern. I could still spot the odd mural or fresco on the weary limestone walls, but they would be tucked between women’s fashion stores and a video game shop. If I followed the long road all the way down, I’d eventually find a set of offices. And finally, the Piazza Guido Monaco, a roundabout with another sculpture as its midpoint, surrounded by pedestrians playing chicken with circling cars or flocks of pigeons, flapping and hopping their way across the grass.

The city’s main attraction lay just beyond the Corso Italia and was again only minutes from my front door: the Piazza Grande. It had been what I had most wanted to see in Arezzo, mostly due to my knowledge that it had featured in the Roberto Begnini film, Life is Beautiful. I was a shameless cinephile and would regularly visit somewhere if I knew it had some kind of cinematic heritage. It always seemed to me that it was life imitating art and not the other way around. As if the place existed in the film first and in reality second. And that by visiting, I had therefore ceased to exist in the present for the moment and had instead briefly stepped inside the sphere of the silver screen.

The Piazza was a wonderfully abstract place. It wasn’t actually much of a square at all but rather a sloping, lopsided oblong. It was steepest in the near side to me, with the squares of the courtyard tilting up as they ran along the side of the church and heritage museum. The museum had four matching front windows, all with large iron bars that bulged out of the frames, wider at the bottom so they looked like chequered metal water jugs. In true Tuscan style, it seemed that even the window bars required some kind of artistic expression.

At the back of the Piazza was the Vasari Logge, a tall, aqueduct-like structure that offered shade and shelter to the cafes and restaurants within. It was made up of a series of stone pillars that rose up to create arches, ensuring the piazza life could still be viewed and enjoyed. And then the rest was formed of a mishmash of old, stone buildings, all of different widths and heights, with cafes and tabaccherias at their entrances. They were adorned with flags of the region, vivid shields of differing colours, showing lions and eagles and wolves as their insignias. It was a square that I could just as easily imagine playing host to a coronation or a royal wedding as a public beheading. It belonged to a different age, an age of knights and scrolls and epic ballads. There was a deep, dusky well just in front of the arches of the Vasari Logge. Presumably where they used to dispose of the heads of the executed.

Arezzo had lived up to my expectations. It was just as cultured and surprising and stylish as I remembered. And with my trendy studio home right at the heart of it, I felt I had managed to be more than just a visitor. I had successfully sewn myself into the fabric of the place, if only for a few weeks. 


Chapter Fourteen

During the time I had to myself whilst Chiara worked at the museum, I returned to my new hobby of finding random excursions in Arezzo and the surrounding areas. I had read in a guidebook mention of the Ponte Buriano, a famous bridge located a few miles out of the city, that was believed to have been painted by Da Vinci, in the background of the Mona Lisa

It was essentially just a bridge in the middle of the Tuscan countryside, with no real encouragement or incentive for tourists to visit, in the form of any direct public transport or car parks. This only appealed to me more, with the bridge becoming the object of a kind of spiritual pilgrimage that I wanted to undertake.

I made my way to a bus stop on the edge of Arezzo, wandering up and down the street a few times before deciding I had located the correct spot. Buses in Italy were imbued with the same vigilante spirit as the cars. In the sense that one never really seemed to arrive at the time advertised, often bore no relation to the expected number, whilst most tellingly, the drivers would not stop unless you were essentially already hanging halfway out the door.

By these standards, my bus journey was relatively straightforward and stress-free as I followed the route on my phone as we drove along the winding country roads, making sure I pressed the button and was standing ready at the door well in advance of my stop. The driver pulled over slightly to his right, on what appeared to be no more than a hard shoulder on the edge of the bridge. I muttered a “grazie” and hopped out.

My surroundings were, as I had expected, wholly bare and unremarkable. They were so unremarkable in fact that if I had successfully stumbled across the ‘nowhere’ I had sarcastically informed Ben that I was searching for. There were a series of signs to mark the bridge and a map of the nearby nature reserve that had faded beneath the moss that had grown over it. Opposite me was an ordinary street corner with no sign of commercial life, except for, of all things, a unisex hairdressers. There was a barn-like structure on the river bank, consisting of some half-finished stone walls and a patched-together-roof. A Da Vinci painting, this was not.

Most worryingly, I couldn’t actually see the bridge at all. I followed the road around the corner and came to a small tabaccheria that was boarded up. A fitting allegory for the whole place. If it hadn’t have been for some cycling teenagers, I might never have found what I had come looking for. They appeared over the road from me, riding down a dirt-track that I had disregarded as part of someone’s private property. Their appearance made me inspect the area more closely. The sight of a children’s play area of slides and swings was encouraging and then a public service sign of what you could and couldn’t do suggested that I was in fact allowed to be there. I continued on past the strange, deserted yard and was delighted to see a series of benches spaced out along the edge of the river and the famous arches of the Ponte Buriano finally within view.

It was completely empty, save for one man sat on a bench a few down from the one I selected as my own. I greeted him with my cheeriest “ciao” as I passed and he offered me a nod of acknowledgment. I took my seat and looked out to take in the scene unfolding in front of me.

The Arno was stretched wide between the two banks and the water lay perfectly still. Blossom had fallen from the overhanging trees and created a thin carpet that extended through two of the bridge’s arches on either side. Plants grew tall on each bank, reaching over my head height, with green and brown weeds tucked beneath them, rising from the level of the water. However, amidst all this untamed foliage, there were still touches of beauty, as specks of lavender had started to grow out at the top of the banks, granting drops of purple to the otherwise mossy green reefs.

And then there was the bridge. Still perfectly intact, and sturdy enough for waves of cars to pass over every few minutes. Made from a combination of different stones, ranging from sand-coloured to an almost silverish grey; with seemingly not one individual brick having fallen from it. Moss grew out of the pillars on either side, settling in wiry tufts on their tops, to give the illusion of stone pineapples. And then the arches. Short and wide, giving a big enough gap that it looked like the bridge had taken long, measured steps across the river.

And even on a uncharacteristically grey day for Tuscany, their reflective power was still on show. The bridge was perfectly mirrored below it, to the extent that the arches ceased to in fact be arches at all and were instead complete circles, separated only by the water level. It was two bridges in one. The reality a practical passing point for commuters in and out of the Arezzo area and beyond; its reverse image a reminder of its timeless, artistic credentials.

As I observed it, I noticed splashes and ripples, no bigger than the press of a finger, start to appear sporadically in the water. And I felt a drop a moisture briefly glaze the back of my neck. It had started to rain. Ever so gently, and not to an extent that would sour the experience. Instead, it just brought the landscape picture in my mind’s eye sparking into life. The river rippling and flickering like a dormant piano that had suddenly and spontaneously released a tune.

The man down from me left his bench and walked nonchalantly to reach his car, parked on the curb nearby. I watched him drive off and disappear round the corner, next to the raggedy old barn. I was fascinated by him. He had clearly come for no other purpose than to find some time for himself, with only the famous, old bridge for company. It was like he was visiting an old friend, able to silently speak and share with it secrets he could tell no-one else.

I think it must have been his actions that inspired me, but I began to have the urge to explore further into the countryside. To delve a little more into the wilderness. I looked at my location on my phone and saw what was around me. The nearest sign of civilisation was a town called Castiglion Fibochhi, which was about an hour’s walk away. I considered it for a few moments before I rose from the bench and headed away from the Ponte Buriano and off on a mini adventure.

I discovered fairly quickly into my journey that the path would mainly consist of walking on the sides of some busy roads. I figured my random expedition wouldn’t be as effective or enjoyable if I was killed en route and so I decided to get off at the nearest junction on the route and head off-piste. It was as I was walking along the meandering, narrow roads that I subsequently discovered, with rows of grape vines and sunflowers on either side of me and the dusky hills in the background, the feeling of freedom I had been craving. I unbuttoned my shirt and raised my arms in the air as I stared up at the sky, basking in my own glorious isolation.

I continued to stray further from the initial route by cutting down one of the gravel paths that dissected two of the vineyards. I had no idea if it was private land or if I was trespassing, but I didn’t care. There was not another soul that crossed paths with me for at least an hour, and I continued to tread along the dusty walkway, deeply embroiled in nothing but my own thoughts.

Eventually, I came to a tiny monument, that looked like a worn-down confessional with a small statue of an angel at its peak. Beside it was a graveyard, with a locked gate at its front, but with the graves still visible within. I peered in to read them. The writing had faded on the small, square tombstones but there were fresh flowers laid at the base of some of them. I supposed that there couldn’t have been more than twenty-five graves in the entire plot. It was the kind of graveyard you could surely only find by accident, as I had managed to do.

And it was there that I made a vow, spoken out loud to no-one. I would be buried in this plot. I would need to tell somebody, probably Seb, of my intentions in the time leading up to my death. Perhaps I would write him a letter, complete with instructions and some loose co-ordinates of where to find the graveyard. And I would set him the goal of burying me there, or at least overseeing the process of me being buried there. It seemed so perfect to me. The middle of nowhere, in a place you could only find by accident. My remains planted in Tuscan soil, with a flower brought there every few years by any who still remembered me. Maybe someone could pluck some of the lavender that lined the banks by the Ponte Buriano, thus copying and honouring the journey I had taken myself. The thought made me smile and I finished the rest of my walk in excellent spirits.

The Path Between the Cypress Trees- Excerpt 1

Chapter 1

For me, it was always going to be Tuscany.

I had only been once before, when I was a child. My parents had taken me when I was around ten or eleven I think, and we had stayed in a villa on the outskirts of the city of Arezzo, tucked in the easternmost sector of the region. I am an only child and thus family holidays were never an occasion I looked forward to, but rather an obligation I felt compelled to fulfil in my agreed role as dutiful son. More akin to the experience of a dentist’s appointment. Never entirely unpleasant, but equally never more than a date in the calendar to tick off every passing year.

However, even given those undesirable circumstances, I still found myself completely enthralled by Tuscany. It was a place that encouraged you to lift your head and take in every little detail around you. The soft yellow hue of the ancient walls, the uneven cobbles of the streets, the grandeur of the churches, the beauty of the statues and the dark green lushness of the distant hills. It felt removed from anything I had known before. And everywhere that I visited subsequently could never quite live up to it either.

My abiding memory of that hallowed holiday is a specific one. I had been allowed to wander alone by my parents, a common practise borne out of their simultaneously relaxed and distant parenting style. I had found my way into a kind of park, though these details remain blurred, that ultimately led on to a long, straight promenade made up of a gravel path. And this is where the picture turns crystal clear. To the left was the beginning of one of those iconic hills, with a steep bank slanting upwards, filled with wild plants and bushes. To the right was the view. Vast and glorious. A sun-kissed scene of fields and vineyards, with smatterings of houses, all marked by the bent clay tiles on the rusty, red roofs. In the distance was the first curve of a lake, emerging from another hill and perching on the line of the horizon, like a silver platter on a dining table.

This stunning scenery would flicker in and out of view, between the branches of tall cypress trees that lined either side of the path. Their trunks were thin but they then expanded into bristling bouquets of leaves at their tips, allowing the path to be almost entirely sheltered in shade. It stretched on far beyond my eye and I hadn’t dared to follow it to its end, for fear of being unable to return to my parents in time. Instead, I just stood and admired. It felt to me then that I had disappeared briefly into another world. That I had wandered off the map. That, if for just one moment, I had managed to get lost in time.

Chapter 2

Around thirteen years later, I took a seat at the entrance to Gate Twenty-Three at London City Airport, dragging my suitcase close to my side. I was one of the first passengers to have arrived at the gate, but I squirmed against the back of the chair to try and get as comfortable as possible, knowing it would still be some time before I got on the plane.

I studied the face of the suited airline employee who stood behind the monitor, a few feet in front of the closed door leading down to the apron. I tried to gauge from his manner any clues as to the state of the flight. The airport, and perhaps the entire world, was still stumbling their way back into the light after being trapped under the darkness of a pandemic. It felt, at that moment anyway, that we had made it through the main, seismic tremors of the earthquake but were still suffering the occasional aftershock. The rational part of my mind urged me to therefore look upon the man with sympathy, but its counterpart was trying to hold him personally responsible for my own inconvenience.

The events leading up to me taking that seat at the airport terminal were both recent and relevant. It had been less than two weeks earlier that I had received an email through from Bastille Limited, a premium procurement organisation based in London. It referenced an attached document, a contract of employment set to commence on the 10th August. With my name, in bold, at the top and a space for my signature at the bottom. An official, legal confirmation of what had long since been agreed. That I was to join the company as a ‘Junior Purchasing Assistant.’

In fact, the event was so mundane that it elicited no reaction at all from me at first. I opened the document, printed it and began to flick through the various pages, only reading every other word. I could have been a sophisticated form of an android, programmed to scan and then mark the contract with my signature, as long as it passed successfully through my processing system. It was only when I reached the “Duties” section, that the ghost in the machine roared to life.

“Unless prevented by incapacity, the Employee shall devote the whole of his/her time, attention and abilities to the business of the company.” I stopped reading, retreated my eyes to the start of the sentence and read it again. Pausing to read the same sentence twice can nearly always serve to change its meaning, and such was the case. No longer was I reading a commonplace confirmation of the next progression in my professional life, but a warrant. I ceased to be myself, a sentient, complex human being and had instead become: “The Employee.” Serving no other purpose than to devote the whole of my limited time to “the business of the company.” And in that one instance, I was no longer an ambitious young man who had secured a promising first graduate role, but a lamb, meekly surrendering themselves to their own slaughter.

I became aware that I was sweating and I felt trembles rung along the skin of my arms and legs. I didn’t even to attempt to break myself from the trance that had overcome me. I just stayed staring blankly at the words on the page. Eventually, I was able to finish reading the rest of the contract. Taking out a black, ballpoint pen, I hesitantly scribbled in the necessary section of the final page.

Not signing had never been an option. Even with my anxiety-induced epiphany, I had come too far to quit on the final hurdle. A tenancy signed on a flat in London, which had involved a sizable loan taken from my parents. An announcement on the family group chats of my appointment. A budget drawn up, completely dependent on my agreed monthly salary. I would work for Bastille Limited. I would be their latest “Junior Purchasing Assistant.” That was to be my life. My sentence even. Commencing the 10th August.

Instead, my thoughts turned to the month I had before that date. I had gotten to know myself well enough that I now recognised and understood my reactions to issues and stressors. And I was undeniably, and proudly, an advocate of flight over fight. It had first surfaced in my attempts to randomly board a directionless train after a fierce argument with my mother. It had continued through my pathetic fleeing from a drunken altercation outside a nightclub whilst at university. And now in the face of full-time employment, I wanted to get as far away as possible from anything resembling that impending reality.

I considered my finances. I could certainly afford a holiday. I had worked a part-time job at a supermarket throughout university and I had never been a prolific spender. This meant I had acquired a small but significant surplus. A surplus whose existence was based purely on being there should I ever need it. And I never had.

Locations drifted in and out of my mind, like I was playing myself a personal holiday slideshow. Greece, Spain, Canada, Bali. And then the memory returned to me once more. I was swept back to the long, shadowed promenade. And the path between the cypress trees.

I booked the entire holiday that day. Flights in and out of Florence. A few nights stay in an apartment in the central Santa Maria Novella district. And then down to Arezzo. To stay for the rest of the month. Partly because it was cheaper to stay there than somewhere more renowned. Partly because I wanted to desperately try and reclaim what I had discovered there in my youth.

It had only occurred to me afterwards that my impulsive escape had essentially turned into a twenty-first-century adaptation of a “Grand Tour.” A cultural tour of Europe, to accompany and perhaps complete my education, both as a scholar and a man. This only increased my appetite for the trip. I was a shameless lover of the Romantics and anything that connected me in some way to the likes of Byron or Shelley served as only further justification.

I had decided on only one suitcase to accompany me, with a smaller rucksack inside to be used as required on excursions. My packing list was not an extensive one and consisted of the following items: Ten t-shirts (ranging in colour from navy to grey); two pairs of shorts (one smart pair, one comfortable); as many pairs of pants and socks as I had available; a phone charger and an adapter borrowed from my father; a toiletry bag consisting of little more than toothpaste, shower gel and hair wax; two easy-iron shirts for an occasion on which I might need to impress; my passport; a bottle of sun cream and two books: Under the Tuscan Sun by Frances Mayes, part guidebook to the area of Tuscany I was visiting, part spiritual companion to my “grand tour” and finally, Salinger’s The Catcher in the Rye, because I couldn’t bear to be without it. Everywhere I had been after first purchasing the book, Holden Caulfield had joined me.

Similarly minimalist was the list of people whom I informed of my plans. My parents seemed surprised at the timing but were otherwise as neutral and unconcerned as ever. The only other person offered the privilege was my oldest and closest friend, Seb. He had moved away for work himself in the last year and so I couldn’t inform him in person, but we exchanged a series of messages. He didn’t question the decision in the slightest, which was exactly why he was who I chose to tell, and after wishing me well and expressing excitement at me telling him about it on my return, he signed off with the closing quip: “Just make sure you actually come back…”

The airline guy made his announcement. We could finally start to board the plane. The now-full seating area began to empty and filter through the doors, series of passports and boarding passes held out for inspection. I offered my politest, fakest smile as I passed by. Once I had found and taken my seat on the plane itself, I hid myself behind the guise of my earphones and swivelled my head to stare absently out the window, long before the plane began to move. My thoughts briefly returned to the contract. To Bastille Limited. To being “The Employee.” I dismissed them. That could wait. My Grand Tour, my Tuscan retreat, my greatest escape even, was about to commence.  

Anatomy of a Scene- “Moneyball” Ending

This is a kind of blog I’ve been thinking about doing for a while. As mentioned previously, film is one of my passions and I’ve already written the occasional post about some of my favourites. The problem with doing that more regularly is that films are so vast, to be able to get out every thought I had on them would take a lot of words and pages and neither I, nor any potential reader, have that much time.

So, meet “Anatomy of a Scene.” To satisfy my urge to gush about some of the best films out there by honing in on one specific moment in the film, rather than the whole thing. Now, I am not an expert in the technical side of filmmaking so the analysis won’t be geared around the correct terms of camera angles and so on, but I am going to try and be quite microscopic in my approach. Hopefully showing how even the subtlest things can have such a powerful impact within a film scene.

To start with then: the closing scene of the 2011 film, “Moneyball.” I re-watched it again recently and enjoyed it even more than the first occasion. To give a very short synopsis, it’s based on the real-life story of the Oakland Athletics baseball team and their general manager Billy Beane (played masterfully by Brad Pitt) who attempted to change the face of the game by picking a team of undervalued players based on unusual statistical data.

I have never watched a game of Baseball in my life so it is no way just a film for lovers of the sport. I admit that my love for sports statistics probably means I was still the target audience, but behind all that, the film has a real, universal heart to it. The last scene shows Beane driving away from the stadium, having just been offered a lucrative deal to become manager of the Boston Red Sox. He picks up a CD his daughter has made him and puts it in the car CD player. The full scene can be viewed here: https://www.youtube.com/watch?v=-K4or2Hlbjs

The Song:

The song his daughter has recorded for him is a cover of Lenka’s “The Show.” It becomes clear very quickly if you really listen carefully to the lyrics that this is intended as far more than just a sweet moment or a backing track; it’s a metaphor for the central, internal struggle of the entire film.

“I’m just a little bit caught in the middle.”- This could be a number of things, most obviously Beane’s decision whether to stay with Oakland or take the money and glamour of the Red Sox offer. It can also be viewed as his position within Baseball as a whole, having become a figurehead for this bold, new approach to player selection and subsequently a target for the traditionalists who view it as an affront to the game.

“I don’t know where to go. Can’t do it alone, I’ve tried.”- Even more on-the-nose here in regards to the previous points, with Beane having struggled throughout the film to convince even members of his own team that their new direction is the right one.

“I’ve got to let it go. And just enjoy the show.”- Beane’s relationship with Baseball is not a happy one. He was a promising young player who never lived up to the stratospheric expectations of him and his management is inspired by an obsession with winning rather than a love of the game. He doesn’t even watch the matches, often hiding away in the gym whilst they’re played. This fitting reminder by his daughter to “just enjoy the show” is all the more poignant as “The Show” is literally a term coined to refer to Major League Baseball itself.

The Acting:

Pitt portrays Beane as a no-nonsense hardman for most of the film, unafraid of confrontation and someone who treats players as nothing but commodities in his ruthless negotiations with other teams, often spitting chewing tobacco as he does so. This context is important as it makes the rare show of emotion from him in the final scene all the more significant.

Watching Pitt after he puts the CD in and it begins to play is to watch an expert in subtle emotional cues. He smiles when his daughter begins to sing, displaying only fatherly delight and pride. Then as she goes on and he starts to process what the lyrics are saying, his expression changes to a much more thoughtful one. His mouth begins to close as he clenches his jaw slightly, showing that he has recognised the message of the song and how it relates to his situation.

And then, we begin to see tears start to appear in his eyes and his lip twitches and wobbles as the emotion begins to take hold of him. This then prompts the first actual gesture or action, as he brings his hand to his face in an attempt to repress his crying.

When his face comes back into focus, we only see his eyes now. They are tinted with tears still and he blinks frequently, as if trying to get rid of them. Beane is not the kind of man to weep openly so the audience get the feeling this is about as vulnerable as the character gets. He looks up, checking the rear-view mirror a few times, before we begin to see the wrinkles around his eyes start to crease, suggesting he has broken back into a smile. It’s the subtlest sign, but it suggests in that one moment, Beane has made his decision.

The Camera

The movement of the camera only serves to elevate Pitt’s acting and hence, the overall emotional impact of the scene as a whole. At first the camera moves around a fair amount, following Pitt’s actions. We zoom into him putting the CD in and then move to his hand on the steering wheel. We then get a close-up of the CD player itself, as if hearing his daughter’s words directly. And then we pan out and get a side angle of Pitt, which remains unchanged for the next thirty seconds. This is so we can get the best view of Pitt as he goes through the previously explored series of emotions. Once he begins to tear up, the camera zooms in again, as if making sure he really is choked up.

An even subtler change is that the camera begins to bump and shake along with the movement of the car, ever so slightly shuddering the picture. This coincides with Pitt changing to his reflective expression and could be a metaphor for the cogs beginning to turn in his head.

Finally, the focus of the lens changes so that Pitt is now blurry and the outside of the car is highlighted. It’s nothing special, mainly showing queues of cars in traffic or shipping containers in the distance, but it is visually reminding the audience of Beane’s decision: does he leave his home? And then his face comes back into focus again, the camera zooming tight on his misty eyes. It means we are not granted the full view of his face and therefore can’t be totally sure what expression he ends on. We think he smiles, but the position of the camera means we are still left wondering as the credits start to roll.

Premier League 2021-22 Review (and reacting to my predictions)

It’s easy to feel this way after the climax of every Premier League season, but this last campaign really has been one for the ages. The last week, and especially the final day, of nail-biting, thrilling football was surely one of the best finishes ever. The title, the top four, the Europa League and relegation were all still to play for at the very end and there were twists and turns from the first whistle to the last.

Think of the matches and moments we’ve been privileged to witness so far this season. From Cristiano Ronaldo’s spectacular return to Old Trafford; Salah’s consecutive goal-of-the-season contenders against City and Watford; Newcastle’s Saudi Takeover and rejuvenation under Eddie Howe; the thrashings like Chelsea 7-0 Norwich and City 7-0 Leeds or, you know, anytime anyone played Manchester United…; the thrillers like Liverpool’s visits to Tottenham, Chelsea, Brentford and City (no coincidence the Reds are involved in nearly all the season’s best games); the emotional return of Christian Eriksen and the crucial role he played in the Bee’s superb season; Everton’s dramatic safety-clinching comeback against Crystal Palace and Frank Lampard celebrating on a roof. And finally, Manchester City putting their fans through emotional torture on the final day yet again before securing the title with an epic, extraordinary five-minute turnaround.

I last wrote on football before the campaign started, foolishly setting out my predictions: https://georgefbrown.wordpress.com/2021/08/10/premier-league-predictions-2021-22/. Now, it is the nature of the game that doing this is inevitably going to end up with you looking foolish, but I’m prepared to face my failings head on. So, here is my review of every team’s Premier League campaign and an embarrassing reflection on my misguided opinions nearly twelve months earlier…

20th– Norwich
My Prediction- 14th

I said: “Norwich will do the best of all the promoted sides in my opinion. I think they’ve copied the Burnley method of going up, not over-spending and accepting relegation and then ensuring they’re best placed for a successful return.”

How it turned out: Christ this is a bad start. You can see the logic in my argument and I think it wasn’t just me that thought they surely couldn’t be as bad as their previous Premier League attempt. And yet they were. It turns out there was no method in place whatsoever. They just recruited horribly and looked out of their depth from the very first game to the last. I hope they don’t bounce back up this time, they just serve to weaken the overall quality of an otherwise exceptional division.

19th– Watford
My Prediction: 16th

I said: “I am expecting them to have sacked their current manager Xisco Munoz by Christmas and for them to experience some humbling defeats along the way but ultimately to just about secure their survival in their first year back.”

How it turned out: Well, I got one thing right! Though predicting Watford to sack a manager is like predicting it will be chilly in December. They definitely experienced some humbling defeats along the way as well, but despite three different managers, they did not secure their survival and to be honest, never really looked like getting close either. One joy has been seeing Roy Hodgson gloriously expose the flaw in Watford’s continual managerial merry-go-round; if you treat your managers as expendable, they won’t even pretend to give a shit about the club in return. Again, like Norwich, no-one will be sad to see them go.

18th– Burnley
My Prediction: 17th

I said: “By all normal measures, Burnley should once again be favourites for relegation. They’ve not signed anyone of note, have a wafer-thin squad and a lack of genuine quality. And yet it’s foolish to write off Sean Dyche’s Clarets.”

How it turned out: Close enough! This is definitely worth a half-mark. Burnley struggled all season really and ultimately the caveat I mentioned was proved redundant as they were no longer “Sean Dyche’s Clarets” by the end. And so ends an iconic era of uncompromising, ugly, ‘Brexit-ball’ football.

17th– Leeds
My Prediction: 7th

I said: “Here is my surprise package of the season, though I’m not even sure it’s that much of a surprise.”

How it turned out: Okay, this is as bad as it gets. I don’t think the general consensus was that Leeds would be in a relegation battle before the season began, but I don’t think many were stupid enough to put them as high as seventh! Above Tottenham! What was I thinking! A mixture of poor recruitment, Bielsa’s stubborn refusal to adapt his risky style and in fairness a large amount of bad luck and an endless injury list has contributed to a near-disaster of a campaign. Jesse Marsch came in and has just about kept them up, though the fact I seem to only recall Leeds winning games in the last minute says it all about how chaotic and close-run it was.

16th– Everton
My Prediction: 11th

I said: “They are going to have to do well very quickly or the fans will turn on the former Liverpool manager. Uninspiring signings like Andros Townsend and Demarai Gray added to the chaos means that Europe is probably once again out of their reach.”

How it turned out: Europe was most certainly out of their reach! Again, it is really not a surprise that it didn’t work out for Rafa Benitez at Everton, that seemed doomed from the very start. However, I certainly didn’t expect for it to get quite so bad. There seemed a point around early April when it was starting to look nailed-on that Everton would be relegated. In the end, their maniacal home support got them over the line and I’m personally delighted that Frank Lampard has just about saved his plummeting managerial reputation. Where they go from here though is anyone’s guess.

15th– Southampton
My Prediction: 20th

I said: “This may appear a bold choice straight off the bat, but Southampton seem to be following a strict “How to get Relegated” business plan. Whilst I don’t expect them to be quite as bad as recent whipping boys like Norwich and Sheffield United, I think they may well be propping up the table in the end.”

How it turned out: I maybe went a bit too far with my doomsaying for the Saints. They were never going to finish below teams like Norwich and Watford in hindsight and Ralph Hassenhuttl deserves credit for keeping an average squad relatively steady every season. To be honest though, take James Ward-Prowse’s penalties and free-kicks out of this side and they’re a relegation waiting to happen.

14th– Aston Villa
My Prediction: 9th

I said: “They seem to be a club on the rise with astute signings in the transfer market and steady improvement on the pitch. I still think they’ve invested that 100 million (for Jack Grealish) wisely enough to have another successful season and even better last year’s eleventh place finish.”

How it turned out: One of the low-key biggest disappointments of the season. Yes, Grealish left and that was always going to leave a hole but they also threw significant money at the problem. I thought the sacking of Dean Smith was harsh and after huge initial promise, they fizzled out under Steven Gerrard. Need to do much better next year.

13th– Brentford
My Prediction: 19th

I said: “It’s always good to see a club that attempts to do things differently and a side that plays good, attacking football do well. However, that is where the good will ends as I think even Brentford fans would admit they’ve got a challenge to extend their Premiership journey beyond one year.”

How it turned out: I’m genuinely thrilled I got this one wrong. What a breath of fresh air Brentford have been this season. From the atmospheres generated at the big games under the lights at the new Brentford Community Stadium to their hybrid mixture of pleasant, free-flowing passing with scrappy, get-the-big-men-up tactics. From Ivan Toney being really good at penalties to Thomas Frank being ridiculously, madly optimistic and honest in interviews. And of course Eriksen, who went from feel-good story to arguable signing of the season.

12th– Crystal Palace
My Prediction: 18th

I said: “The main reason the Eagles have been such a steady mid-table side in recent years is down to the underrated management of Roy Hodgson and now he has been replaced by Patrick Vieira, whose own managerial record is limited and patchy at best, I don’t expect them to be quite as tough-to-beat. Throw in the number of experienced players who have left or out of contract and I think Palace’s lengthy stay in the top league may come to an end.”

How it turned out: Palace, for me, have been the surprise package. I wasn’t alone in questioning the Vieira appointment but it’s proved to be inspired, bettering Hodgson’s points, goals and goals conceded totals and getting them to a FA Cup semi-final to boot. They’ve replaced those “experienced players who have left or are out of contract” with brilliant, young signings like Marc Guehi and Michael Olise. Chelsea will take Conor Gallagher back next season though, thank you very much!

11th– Newcastle
My Prediction: 15th

I said: “They’ll still have too much to go down. Keep Callum Wilson and Allan Saint-Maximim fit and they’ll score enough to secure a good few wins along the way. Which will no doubt keep Steve Bruce in a job and ensure the fans keep moaning. I could probably copy and paste this for next year as well.”

How it turned out: I’m not even disappointed at this prediction. For Newcastle, the entire narrative of the club altered when Mike Ashley finally sold to its new mega-rich Saudi owners. Though that shouldn’t gloss over the exceptional job Eddie Howe has done in moving them completely clear of relegation trouble. Yes, he had money to spend in January but it was still mainly a bang-average team he inherited. I know one thing for sure: I won’t be predicting Newcastle to finish fifteenth next season now!

10th– Wolves
My Prediction: 12th

I said: “I would argue Wolves are the toughest team to call before this season kicks off. I don’t know much about their new coach Bruno Lage and thus they could either revel in a much-needed change and push for Europe again or get even worse and slide towards a relegation battle.”

How it turned out: Well, I hedged my bets massively with that prediction and it paid off! In the end, tenth position is possibly even a disappointment for Wolves, considering they spent a large chunk of the season seriously pushing for European places. Bruno Lage has proven himself to be a shrewd tactician and they’re the kind of team who give everyone a game, but their lack of goals has prevented them from getting any higher.

9th– Brighton
My Prediction: 13th

I said: “Oh Brighton. Every year I want to put them higher up, as I think nearly everything is in place for them to be a successful and consistent Premier League side. And yet they adamantly refuse to address their most obvious issue: their lack of a proven goal-scorer. Until then, I think it will be much of the same: they’ll consistently be near the top of possession and expected goals stats and yet they’ll still find ways to lose games they should win comfortably.”

How it turned out: I’m actually gutted with my prediction of 13th as I should have backed my gut a bit more with Brighton, they’ve threatened to be a top-ten side for a while and this year they’ve finally achieved it. All of the doubts I expressed are still completely valid, they still miss too many chances. But Graham Potter is the most underrated manager in the league and they’re also a good watch every week so it’s difficult not to be pleased for the Seagulls.  

8th– Leicester
My Prediction: 5th

I said: “They still look the team best placed to challenge the top four of last season and I would really love them to finally break their duck after consecutive near misses.”

How it turned out: For Leicester this season, it was a case of a team just running out of steam. The side that had achieved back-to-back fifth placed finishes and an FA Cup win was always going to go past its peak at some point and so it proved. Key injuries didn’t help them; as soon as Vardy and Fofana returned at the end of the season, their form improved dramatically. Neither did their simply woeful record at defending set pieces, the opposition getting a corner was like getting a penalty against the Foxes. Now you’d expect key players like Tielemans to move on and a rebuild to happen in the summer. You just wonder if they’ll forever kick themselves that they didn’t reach the Champions League when they had the chance.

7th– West Ham
My Prediction: 10th

I said: “After their best season in a generation last year, unfortunately it would seem that the only way is down for West Ham. The lack of major transfer activity and the added demands of weekly European Football will mean that repeating the sixth-place finish should prove too much of an ask.”

How it turned out: Well, the position was wrong but my reasoning was actually pretty spot on when it came to predicting West Ham’s season. Ultimately, the demands of Thursday-Sunday football on a small squad did prove too much, both in terms of finishing sixth again and in actually trying to win the Europa League. However, still a brilliant season and they’re definitely the best side outside the traditional top six. Winning the Europa Conference League should be a very realistic goal next season.

6th– Man United
My Prediction: 3rd

I said: “Have United finally clawed their way back to the top of English football? They’re certainly as close as they have been for the past seven years, with the additions of Jadon Sancho and Raphael Varane to a squad that finished second last season surely meaning they are due a more sustained title challenge this time around.”

How it turned out: I mean the joke is not on me here, it’s on United themselves. Not only did they get absolutely nowhere near the top four, let alone the title, but they’re surely the worst ever team to even finish sixth. Six consecutive away losses to finish, beaten 9-0 on aggregate by Liverpool and conceding four away to City, Brighton, Leicester and Watford (Watford!). Lowest points tally in the Premier League era, a goal difference of zero at the end and some of the most pathetic performances I’ve ever seen from a football team. The only silver lining is that under Erik Ten Hag, surely they can’t possibly get any worse.

5th– Arsenal
My Prediction: 6th

I said: “Not having any European Football for the first time in decades might be a blessing in disguise as they can purely focus on the league and I like the summer signings of White and Lakonga, with more potentially yet to come. Arteta really needs to achieve something this season to finally prove his worth, but I still think there is too big a gap to bridge for them to get into the Champions League places.”

How it turned out: I’m taking this as another half-mark. I knew Arsenal would do better than the previous seasons as the squad improved and they only had one competition to focus on, but even in their best moments this season, there was always this lingering feeling that they’d crack when the pressure was on. Losing the top four slot to Tottenham in the way they did is going to have done some damage. Similar to Leicester from the last couple of years, you wonder if they’ve just missed their big chance.

4th– Tottenham
My Prediction: 8th

I said: “This is very much a compromise of a prediction. Should a certain talismanic striker leave, I honestly think that Spurs, title contenders only a few years ago, might struggle to make the top ten. Should he stay and get back to being the best striker in the league, they’ll have an outside crack at the top four.”

How it turned out: Well, I’m going to get my excuses in early here. Had I known that Kane was going to stay and even more importantly, had I know Antonio Conte was going to replace the hapless Nuno as manager, there was no way I would have predicted Spurs to finish as low as eighth. Conte is in the very top tier of managers and as soon as he came in, Spurs had a chance. It’ll be a really interesting summer for Tottenham now: either they back the Italian in the transfer market and allow him to build a team that might actually challenge for trophies or they’ll mess it up and he will leave in a strop as he eventually does with every side he manages.

3rd– Chelsea
My Prediction: 2nd

I said: “Their squad depth is second only to City’s and they have added one of Europe’s top strikers in re-signing Romelu Lukaku. If he can finish some of the chances that went begging last season, the Blues will hope to follow up their victory over City in the European final by taking their league title off them as well.”

How it turned out: By no means Chelsea’s worst season since I started supporting them, but definitely the most disappointing. From being in a three-horse title race until early January to finishing nearly twenty points behind City and Liverpool. Throw in the two cup final defeats on penalties and the heart-breaking loss to Real Madrid in the Champions League and the season ended up a massive damp squib. The sanctions on Abramovich and the takeover negotiations were obviously an unhelpful distraction, but the moment things really seemed to fall apart was when Lukaku gave ‘that’ interview in December. Instead of being the striker to make the difference in a team that missed too many chances, he ended up being the league’s biggest flop.

2nd– Liverpool
My Prediction: 4th

I said: “Liverpool’s 2020-21 campaign was so completely bizarre, that you can take practically nothing from it. Mo Salah will score twenty plus goals because that’s what Mo Salah does, but I think the Champions League and Premier League winning side is just beginning to edge past its best and securing a top four spot will be a more realistic target this time around.”

How it turned out: I was right in thinking you couldn’t take anything from their 2020-21 campaign. I just didn’t know how much of an outlier that season was in terms of Liverpool’s true level. Fast forward a year and they’ve hit 90+ points again in the league as well as reaching three cup finals, winning two with one still up for grabs. They’re an amazing side that, with the additions of Konate and Diaz, looks like it’s actually been refreshed and gone up a level again. And yet, they still didn’t win the league…

1st– Manchester City
My Prediction: 1st

I said: “The best by miles last season have added Britain’s most expensive footballer to their already impressive ranks and may yet add England’s captain as well. That would arguably provide them with the most formidable squad English football has ever seen and with Pep Guardiola in charge, the relentless drive for success is not likely to stop any time soon. It says it all about City’s strength that even retaining the Premiership title may not be considered a success if they still fall short in Europe. That will be the real test once again.”

How it turned out: Fittingly, the only prediction I got exactly right was the Champions. Not that it took a genius to see that one coming. They’re a genuine winning machine and despite the fact that they seem to enjoy putting their fans through complete emotional torture on the final day of the season, they yet again pulled off a famous recovery. However, I had to get in my line about “falling short in Europe” as that is perhaps my best bit of foresight of all. They’re fitting Champions once again and one of the best sides of the entire Premier League era, but a team that’s as good as they are can’t keep falling at the final hurdles in Europe. It remains their holy grail.